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[Local] - San Bruno casino facing $8 million penalty over alleged money laundering on premises

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The 4 Horsemen. and the Illuminati.

The 4 Horsemen. and the Illuminati.
I have not decided yet to remain anonymous or to reveal who i am. I just want to say that my memories started to come back to me shortly after my 40th birthday. I am now 44. I was born and raised in San Diego, Ca. I am of Mexican descent, both my parents are from Culiacan Sinaloa Mexico. All of what I'm going to say is true to the best of my recollection.
I was born with the spirit of King David. please bare with me as I explain a little more. I received visions and could hear them speak earlier in my childhood. but I didn't understand them. I witnessed Adam descending to me, first he spoke to YAWEH, and than began to descend to my birth. I saw the Earth at night. but you could see lights like little dots lighting up the cities. as Adam came down to me, Eve followed him down to earth. Adam said to Eve I need to get down to him because he is only going to survive for a little while 7 hours., I need to get down to him, Eve ended up not following him at first she went towards another part of the earth around the middle east somewhere. When she landed I heard her scream in terror. she than ascended and said do not go were she had gone, ever. She than followed Adam to me. But right before she did she asked Yahweh. Where the antichrist was going to be born? and Yahweh told her Hawaii. Eve asked him "if he was going find him?". I don't remember what his reply was. I think it was yes.
On the Day of my baptismal, I wasn't 1 yet. I was baptized in Tijuana B.C. is when I first heard King David speak, while I was being baptized I heard King David say "I'm David, I'm David" he was speaking within me. He kept on repeating it like he was trying to get someone's attention. I believe it's because King David was Hebrew, and I was in the middle of being baptized catholic. After the ceremony I remember a priest putting his head down to me like he could hear King David, and told me to ask for the 7 virtues, this is the first time I remember seeing a man named Dave Wilcox. He is a Mexican man a soothsayer someone who could also mesmerize people. He knew who I was carrying within me. He took me to the priest after he was able to hear King David during the baptism. Dave Wilcox is an Evil person, and I do not forgive him. he is never to be trusted. I saw Dave wave his finger in front of the priest eyes from left to right and they told him to forget.
I remember that night, after the baptismal I remember Dave Wilcox taking me from my home at night to go see Groucho Marx. Groucho was sick in his bed when Dave took me to him Milton Berle was at his bed side. Groucho was old and sick he didn't get out of his bed, Dave put me in his arms Groucho looked at me and made a joke something like " Its going to fit perfectly on his forehead" something like that. I remember Milton Berle chuckling a little. Groucho than cradled me in his arms and I began to cry. Groucho Than said "don't cry because uncle Milton doesn't like crybabies". Dave than took me from his arms, as I was lifted I had left some type of residue on him. It was a shiny residue, Groucho noticed it too and looked amazed, and confused.
When I was 4 years old my family lived in Imperial Beach. Ca. There was a elementary school nearby. Bayside elementary. I was to attend preschool there. The Day before my first day of preschool. this Woman who i will refer to as "the witch" appeared to my mother, I remember her from my birth, she was present on the day of my birth. She is a white woman with long blond wavy hair, a chubby woman. She did the same technique to my mother that Dave had done to the priest . She mesmerized my mom and told her to take me to see an aunt called "Cuca". The witch admitted that she was doing it out of envy. my mother complied . she took me to go see my aunt . when we got to my aunts place my mom had to run some errands and left me under my aunts care. Well my aunt immediately took me to a neighboring home. It was a half empty apartment, there was a table with a bunch of people sitting around it . on the table I saw a board with a circle and a bunch of drawings of heads around the circle like numbers on the face of a clock face. in the middle there was an object that I can only describe as a large drinking bird . that could tap on the pictures on the board it was able to rotate around to do so. there was a small bust of Jesus Malverde, and I remember a small grey alien doll sitting at the table. my aunt told me to walk around the table and was followed behind by the people sitting around the table . we all walked around the table in a line and the sat back down. than i saw the drinking bird start to tap on the faces on the board in a random pattern. I than stood a little bit away from them and started to see little balls of light coming towards me. after I remember my aunt taking me out of the apartment and we waited a bit outside for my mom to return. while we stood outside I heard a voice scorn her and what have you done. se replied that they were going to take "them" from me. They being Adam, Eve, and King David. the spirits I was born with. she knew what they were going to do to me the next day. shortly my mom arrived and took me home.

Barry

On my first day of preschool my mom had gotten me ready to go for my first day of school, as we walked out of our home there was the witch again, waiting outside our gate, she told my mom that she herself would take me to school not my mother. My mom did as she asked with no hesitation. The woman took me to school. The school was only 5 small blocks away from were we lived. I did as i was told. Instead of taking me to my class on my very first day of school, she took me to an office with no one in it. The woman directed me to stand in front of her with my back to her she told me to first put my right hand on a table that was next to us and she told me to close my eyes I complied. When I close my eyes I felt her place what I felt to be a birds claw on my hand , as she pulled the birds claw off my hand it had left a residue. Than I opened my eyes and another white woman, a brunette with long hair stepped into the room. She didn't say who she was only that she had a son who wanted to be president, and I could help him become president. she showed me card she had in her hand, it was a picture of Adam from Hieronymus Bosch the garden of earthly delights. She than said my son looks just like Adam." you're going to give him to my son" she told me . "they want him to be that other guy who has sex with all those women but I won't let that happen". still I didn't know what she was talking about. She than showed me a picture of Jesus from the same painting, she told me later I was going to receive this man. still i had no idea who she was referring to. She stood up, as before she was kneeling down to speak to me. than that brunette called out for "Barry". "his name is Barry Sotello" she said. by now we all know Barry Sotello real name is Barrack Obama. "Barry" walked in wearing a cream color members only jacket he knelt down in front of me an said you're my spiritual brother, you can grant wishes. He than asked the woman who had brought me to the office if they had used the grimoire she than replied that they had used they greater key of Solomon. he talked to her like he was her boss. Barracks mom than drew a line under his right eye with a makeup pencil, after she did the same to me, except she only drew the line half way on me. she said that it would grow to full size when I met him. Who "him" was i don't know. Than barrack made a wish, he said " I want to be president and I want power". they than asked what I wanted to be and I think I said fireman or I don't know, barrack than said "wait I thought you wanted to be superman " I than said" yes. I want to be superman." they told me to swipe under his right eye with the hand that had the resin from the birds claw. I did as I was told, barrack than kind of leaned away from me and sucked in air like he was inhaling something. He knelt down in front of me and gave me a hug. "as he walked away I could hear a voice inside me say "don't go!" it was the voice of a woman. it was Eve that was calling out to Adam. "they want me to be a farmer" he replied and "this is a grown up". Barry than walked away he acted arrogant towards me. This happened in 1979. The next day it happened again.

these were the pictures they showed me Adam and Eve were cut into individual cards.
This time it was a woman named Hillary, I was taken to the same office as before, the same thing happened, the white woman again stood behind me and put a birds claw on my right hand and again it left a residue. She moved me to the center of the office were I could see and could be seen through window partitions towards a waiting area, and that's were I first saw her. Hillary was standing there looking at me, she was looking down at me. I remember her wearing a red dress. a door opened and she walked through it towards me smiling and gave me a big hug. she introduced herself and than showed me a picture of Eve from the same garden of earthly delights painting, it was a small cut out card the same as when Barry Sotelo mom showed me of Adam. Hillary showed me the picture of Eve and told me "this is what your mother looked like when she was young", she than began to act a little strange almost hesitant. I was going to swipe her with the residue like I had done to Barry. But She began to pull away from me and walk away, like she didn't want to go through it after all. But than she turned around almost like she had a second thought and said fuck it I'll take the swipe and she did. I swiped the residue under her eye and she did the same inhalation technique Barry did, she made a wish and asked to be secretary of the treasury and she also wanted power, she told me to also ask for power and not knowledge. She noticed that I had that residue on my hand and told me to save it for myself and to make a wish, this time I'm not sure if I made wish or not but I do remember asking for power because she told me to. After that she gave me a hug and told me to "wait for her". I resumed the rest of the school day. Not really remembering what I had done or gone through. I now remember the white woman who helped with the ritual, after the rituals were done she would pass her finger in front of my eyes from left to right and than saying that I was not going to remember what they did, almost like hypnotizing me or mesmerize me into forgetting. But after all this time my memories have come back to me.

Hillary and Bubba maybe. really really really young Hillary
On this day they really took advantage of me. After school , I went home. Some how the witch convinced my mother to go out somewhere and left me alone with her, she was after the spirit of King David. She noticed that I still had residue on my hand from earlier when I swiped Hillary. she brought a couple of young kids to me both of them white. I remember 1 was slender with a ball cap, the other one was fat, short hair cut. but both were older than me I was 4 they were about 11 around that age. the witch than made them do almost the same thing I had done with Barry and Hillary they both made wishes the thin one wanted to read peoples minds , marry one of my wives, and asked for King David , I swiped him. I remember that King David had left me but he came back as soon as the witch walked that kid outside, as they crossed my front window. I heard King David say" I'm back, I didn't go. I going to hide". I noticed that his voice had changed. That concerns me. I feel so much sadness remembering these days. the next one, the fat kid I remember I didn't have any more residue on my fingers but the witch still tried to make him wish for something . I barely remember what he asked for, it had something to do with my wife. that's about it . I also swiped him . With what ever was left from the residue. God please forgive me for what I have done. I feel so sad right now. all they wanted to do was take from me. and its because I'm not white. Barry is half white. The witch made it known to me that it was because I wasn't white is why she took them from me..... Fuck that Bitch.

Later that night it was Dave Wilcox turn to betray me. while me and my family were sleeping. Dave was able to wake me, from my room. he was standing outside and signaled for me to go outside and meet him. he took me towards a white limousine that was parked a short distance away. he took my hand and again Dave put the chicken foot on my hand right before we got into the white limousine. inside was Donald Trump. he had a lawyer sitting to his right, Dave took a seat towards the left side of the limousine, I stood in front of him, Donald already had a line drawn under his eye, he talked to me about having troubles in the locker room of his club, he was having urges towards men. he may have been feeling gay. and that i could fix that for him. again we did the same fucking ritual, he hugged me and asked for the spirit of Poseidon. now I distinctly remember that because he asked the lawyer and Dave " that's the guy who controls the oceans.. right?" they agreed. he told me to swipe him under his eye. I did. he than sat down and than arrogantly proclaimed that he was going to take my inevitable rights...Fuck that Puto. He than gave Dave a briefcase full of money that was supposed to be for me, but i never saw any of it, and since Dave Wilcox is part of the Sinaloa Cartel and Donald Trump did business with him well .. lets just say that shortly after it was The Sinaloa Cartel who harassed my father for the money. he was going to invest it and let it grow in a bank account but Dave and Joaquin Guzman Loera, went to the casinos because they were sure they could make more money gambling. They took the money away from my dad, because they were going to kill us. you know how they threaten people those that are poor even they're own kind will betray for money.

https://preview.redd.it/oikbsgwrro461.jpg?width=1730&format=pjpg&auto=webp&s=37f20c41c469ee0cd7d01f4b3c1d1e358d861dc8
Through the years it kept on going like that, But this time it was mostly Dave who came around to manipulate and harass me into swiping people I did not know, including himself. Dave Wilcox is a very dark 2 faced individual. he used me to gain influence with people . I swiped Leo C. Tom C. Anthony H. and others, I don't remember to well. I don't have any ill will towards the entertainers except for Tom C. and L Ron Hubbard's Bullshit Religion. I remember Tom C telling me you're going to receive a very powerful Thetan one day I think he called him Bill, Thetan Bill or something like that. I remember Dave Miscavich also that big piece of human shit can go fuck himself, I actually saw Dave Wilcox kneel to Dave Miscavich shortly after I swiped him. I know I'm skipping a lot and I would like to say more, but I want to tell you about the politicians first because of the power they wield. My main concern is that they may be the 4 horsemen of the apocalypse.

this one will have meaning to Marco, he got caught.
The last politician is Marco Rubio his was one of the most recent swipes that I gave. Dave Wilcox again showed up but this time it's 2000 ish I'm not really sure the exact year but I do remember this. I am in my mid 20's at this time. I'm in my bed and I'm still living at home with my parents. my room faces the street outside. I live in a quiet neighborhood, a suburb. at night usually everyone is asleep during the really late hours like lets say 2 to 3 in the morning. any ways, That asshole Dave Wilcox woke me up he could see me through my window, I woke up and he said " hey There's some one out here who wants to meet you. get dressed and come outside". I don't know why but I felt compelled to do what he had told me to do. So I put on some pants, a shirt and went outside I don't even think I wore shoes I was barefoot. Dave immediately started to direct me on what to do it was mostly just to stand there., I look out and see that the street in front of my house had a bunch of people, some in cars some just standing there just watching. So I think first he introduces me to a girl she might have been Christina A, It seemed brief I don't remember much it was nice, than Dave Wilcox approaches holding the hand of a young white kid. he looks like Justin B. Dave and Justin are facing me, mind you Justin is only like 8 or 9 really young. they look at me and than Justin says i see a rainbow above him. and I'm not sure he may have hugged me and than walked away. than Dave told me that this guy wanted to make a hit record and had proclaimed earlier before I woke up that he had more knowledge about Satan than I did. That guy was Kanye W. he was given a controller, a small device, and was asked to walk south on my street far enough were I couldn't hear his voice or see him. than I was able to hear him but this time he was directing me on what to do " stand on one leg" he would say and i would do it. " jump, walk forward" stuff like that....Fuck that Puto also. any ways. Someone upstairs got pissed and told me to run after him and I believe beat him up or something because they did not like him. I was barefoot and I know it was Mohamed who told me that he was gonna protect my feet so they wouldn't hurt and go after him. so I did and I booked it at full speed towards Kanye. I grabbed him by his jacket, and he began to chuckle almost like he didn't understand that I was going to try to beat him up or something like that, by than Dave Wilcox and A White guy who is the leader of the Illuminati. later but not now I will explain more about him. so next I try to swing at Kanye and by that point he got the hint that I wasn't an admirer. Dave and The Illuminati guy who I will call Wilbur from now on, just because I don't remember his name. Any ways Dave and Wilbur told Kanye to take a hike so he did. he took off in his car, I'm speculating towards the Marina. So than Dave walks me towards the rest of the people who were on my street. I remember being kindly greeted by I think it was Bruno M. he was very kind and was crying a little bit he said I was special to him. Gwen S. I think she just stood and stared at me a little, I don't remember much of our interaction. Kim K and Kris K her mom were there also this time Kim K wanted a spirit from me and guess who she asked for? she asked for Eve another one wants Eve well they do the same fucking ritual. I'm not even sure if they put a chicken claw on my hand this time but they probably did. so again Kim ask for Eve but instead they gave her " the whore of Babylon". and she recognized that. she than told her mom that "they gave me the whore of Babylon?" almost like not sure why. Than her mom told her well we did choose vanity. her mom didn't seem upset. Kris than said something about finding her daughter and if I found her something could happen but since she's with Kanye now and they have a bunch of kids I am defiantly not interested. ugh. she has Kanye stank on her, also their was Wildur V. I heard a woman say that they needed a TV star there. also Wildur V, began to mock me and started to prance around me and said that he was an angel or acting like one, but it looked to me like he was making fun of me in a way. any ways he was taken away by them, I think they got the hint he was beginning to insult me. Ok so now they took me to man wearing a red ball cap he was dressed in a shirt and tie and definitely looked like he did not belong with the rest of the people I was meeting. it was Marco Rubio. A total square amongst the entertainers. he stuck out like a sore thumb he was on his knees all ready like a good little boy. all neat and proper. just like a sneaky low down coconut. I'm going to admit something to you. before they all came to me I was able to see all of them first some of them were in an apartment or hotel there meeting with each other and gathering up, Marco is not among them they come down to a couple of vans that were gonna take them to me, some drove theme selves in there own vehicles. anyways Marco met up with them down in the vans. they thought he was some kind of entertainment executive. and he acted like a square. on the way to me I saw The moon splitting in 2 and than a voice began to admonish Marco, telling him he wasn't going to get away with this, he acted like he didn't care... so than there we are, he is kneeling In front of me wearing a red ball cap and again we do the same fucking ritual. I swipe him and he receives the "General" I'm not sure who it was but I remember the voice that had told me that Kim was given the whore, Marco was given the General. Hopefully it was General Custer. and that's it. finally after all that shit was done I was ready to go to my room, Dave asked me if I wanted anything and I said No. I went to bed and after I went to lay down Dave again ask me to come outside they were going to give me something, I know what happened, I know who it was and I want to tell you that they did not let me feel anything I was completely numb and did not see who it was. and I will never say what happened. but I know god knows what happened.
Now there is a large gap in between my fourth year of life and my 20's but i do believe that the 4 horsemen are Barry, Hillary, Donald, and Marco. 2 democrats and 2 republicans a political pincer movement Democrips and Rebloodicans , 2 from the left 2 from the right. The antichrist is the black guy so that everyone will love him for overcoming so much, and becoming the first black president but the white power movement will use that for there own despicable needs. Even though they support an evil piece of shit like Donald, greedy, lying, dumb, arrogant Donald. that's the Devils plan. both sides are corrupted. evil whites will eat that shit up and have a reason to hate on Barry even more. the antichrist was going to let the Gays gat married, and he was going to be born in Hawaii. and that sucks because I voted for Barry twice... before I remembered everything. I am sad that it was Barry. the first black president should not have been the antichrist. us that are poor black and brown thought he was great. we loved him. and I feel betrayed. but he is who he is and I am ashamed that I took part in these rituals. I have a lot more that I remember, regarding Chapo Guzman, the freemasons, Ronald Reagan ,and the C freeman El Chart. but I'm going to save that for later because I'm tired and upset.
submitted by loodawg76 to illuminati [link] [comments]

The List: 2019

The Lineup is out, bold denotes acts that ended up on the lineup
This is a list of acts that are potentially playing OSLs 2019. I intend to update this list via edit from now until the lineup drop. If you want to add someone to this list just comment below and I will modify the list and credit your handle next to the edit. If you want to find someone in particular quickly I suggest you use ctrl F.
POTENTIAL HEADLINERS
POTENTIAL UNDERCARD:
Playing eight tracked festivals
Playing six tracked festivals
Playing five tracked festivals
Playing four tracked festivals
Playing three tracked festivals
Playing two tracked festivals
Playing one tracked festival
Added by users, not currently playing any heavy crossover festivals so far
The following have appeared at OSLs once before but have not released new material since their first stint and are therefore less likely to appear in 2019 (To date only Beck and Vance Joy have returned WITHOUT new material, making the following acts much less likely)
The following is a list of bands that have played OSLs more than once and the gaps between return performances, considering only five acts have ever played OSLs three times, all acts in this section should be considered less likely than acts that have played OSLs once or never. Note that no act has ever returned quicker than a three year gap, Givers, Fantastic Negrito, and Big Boi were all makeup performances for prior year cancellations.
Headliners
Threepeaters
Three year gap
Four year gap
Five year gap
Six year gap
Seven year gap
Eight year gap
Ten year gap
The following are past lineup drop dates, all lineup drops from 2012 to 2018 have occurred on a Tuesday:
ACTS CONFIRMED PRIOR TO LINEUP DROP:
NAMES THAT ULTIMATELY ENDED UP ON THE LINEUP THAT WERE ON NEITHER LIST (26):
submitted by sconce2600 to OutsideLands [link] [comments]

"No can really be safe nowadays..." - Senator Trillanes AMA for the lazy.

He's one of us. Human, after all.

Ligther side

redkinoko: On a lighter note, are hotels are still wary of you every time you book a room, after the whole Manila Pen thing?
TrillanesSonny: Haha. Hindi naman. Good client naman din kame since then : )
sadgaygirl: What are your dreams for your children?
TrillanesSonny: As a parent, I just want them to be kind and generous adults later on. As to their career path and love life, I just let them choose freely and then support their decision. I advise them from time to time when they ask for it.
Miamiheatfan4life: Senator pano po ba manligaw ng babae ?
TrillanesSonny: Pasensiya na, nakalimutan ko na. Its been a while. hehe.
LebronToWarriors: Senator what are your tips for a job interview ?
TrillanesSonny: Try not to be cocky and a know-it-all. A little humility can go a long way. It also helps if you dress up neatly.
tangina_nyo: Hello Senator, paano po magkaroon ng balls of steel na katulad ng sayo?
Sagot: maging fatalist ka.
silversoul: Hi, Senator. Taking this time to thank you for standing up for ideals and beliefs even if it means being in the minority.
So, my question is...Who is your favorite superhero?
TrillanesSonny: Thank you for your support. :) As to my favorite superhero, growing up, when I was still in grade school, I had a collection of Marvel comics of The Thing. Now, si Captain America kasi medyo hawig? Joke lang. Hehe!
On being pressed to answer kung sino ang pinaka cringe inducing politician, and divulge tidbits about these pols.
TrillanesSonny: Pwedeng pass muna ulit? Hehe. Sa meet-up na lang.
joesantana37
Good afternoon Senator, is your mother strict when it comes to drinking your milk when you were still young?
TrillanesSonny: Not really. But I was the one craving for it. Particularly, fresh milk.
mocha_utong: Senator, paano po ba mag move on pag may mahal na siyang iba?
TrillanesSonny: Inom ng konti tapos ligaw na ulet. hehe. =)

The big issues

1. What the opposition is doing and why they failed in getting their message across to the people.
I totally agree with your assessment that the opposition has met serious challenges in delivering its message to the people. There are some factors that caused this. One, duterte came in as one of the most popular presidents in history hence, early on the message of the opposition has been met with doubt and resistance by his popular base. Two, the propaganda machine of duterte is very effective. Three, culturally, the Filipino people are very patient and resilient that's why they don't tend to complain and rather just grin and bear it. But having said this, after two years, the political landscape has change drastically and I can honestly say that the majority of the Filipino people have seen the light. Mas nakaka penetrate na ngayon ang mga mensahe ng oposisyon.
Unknown to the public, the Opposition has consolidated and united its ranks the past few months. This new united opposition is led by Vice President Leni Robredo. We are also busy preparing for contingency scenarios like the declaration of nationwide Martial Law and railroading of the Charter Change/Federalism to make sure that we would be able to effectively counter these devious duterte plans.
ALSO this:
I am in favor of VP Robredo leading and being a focal point of the opposition at the same time. Why? Because the opposition needs to unite under one acceptable and recognized leader and that is VP Leni Robredo.
He also said Leni was competent and has the mandate as VP.
2. CPD question
This one is admittedly tricky. The CPD requirements are seen as unnecessary and a needless burden for professionals.
Trillanes explains that this was not unnecessary, and is actually a requirement laid down by other ASEAN countries. Keep up with the requirements and you would not have any problems working your profession in other ASEAN countries. As well as making Filipino professionals more globally competitive.
Trillanes assured that help is on the way.
I totally sympathize with our professionals as they go through the growing pains of this new CPD law. My office has already conducted 3 public hearings to address some concerns and has been closely working with the PRC to make the CPD programs affordable and accessible to them. We have gained headway in providing free CPD programs for public school teachers and nurses as both the DepEd and DOH are mandated to be CPD providers. We were also able to reduce the required CPD units for certain professions. Moreover, we are pressing the PRC to provide online courses to do away with the costly sit-in programs.
3. Federalism
Trillanes says no to changing the form of government to Federalism.
I am against the proposed shift to Federalism as a form of government. As a student of public policy, I have studied the different forms of government, and I believe we have yet to properly operate the current Presidential-Unitary form of government that we have. But aside from this, I oppose federalism due to the following reasons:
  1. At present, we have no sense of nationalism. This might further worsen once we divide the country into federated states.
  2. Political warlordism will become more pronounced. Imagine the political dynasties ruling in our country today. Now, if federalism would be implemented, these dynasties and warlords would become more powerful and more untouchable since they would be the same ones who would rule these states. Just a thought, sinu-sino sa tingin nyo ang magiging governor ng bawat federated state?
  3. On the economic side, this would a burden to our countrymen. Because aside from the federal tax imposed by the National government, the federated states will impose state taxes in order to support its state government.
4. Same sex marriage and divorce law
Rather than making excuses and posturing, Trillanes went the honest route and told Redditors that he didn't know much about the issue to make an informed decision.
5. Don't lose hope.
thatmrphdude: What can you say to Filipinos that are just sick and tired of all the headlines showing nowadays. It's just depressing. I feel really hopeless for this country.
TrillanesSonny: Don't lose hope. The political tide is actually turning. Soon, matatapos din ang malagim na yugto na ito ng ating kasaysayan.
Also this:
The past two years have been difficult for our country but our people are beginning to see the light. We have gained a lot of headway and I can honestly say that we are now winning the war. As our history shows, ultimately, the goodness, decency, courage and collective wisdom of the Filipino people will prevail.
And this:
moonwlkr67: Good afternoon, Sen Trillanes. It's my first time to participate in an AMA in Reddit. Gusto ko pong magpasalamat for soldiering on during these trying times in democratic republic. Pangalawa po, gusto kong itanong kung ano ang sa tingin nyo ang magiging "tipping point" para manaig ang pagka-makabayan ng mga Filipino higit sa pagka-partisan. Salamat po, and more power! :)
TrillanesSonny: Salamat din sayo. The tipping point would probably be kapag nagdeclare si duterte ng nationwide Martial Law or Revgov or pagka sinagasa nila ang Charter Change/Federalism kahit hindi isama ang Senado.
6. What he'd change in the Constitution
anobaate: If you could change a part of the constitution what would it be?
TrillanesSonny: The removal of the provision subjecting the AFP officers with the Commission on Appointments. This practice has rendered these officers vulnerable to politicization by hostaging their confirmation. I would rather have only the most senior officials be subjected to the process of the CA.
7. On Duterte
aivpt: Will Duterte ever commit an act so despicable that even his supporters give up defending him? What do you think will this act be?
TrillanesSonny: I believe he has already committed several despicable acts that chipped away at his support base, such as: pagmura kay Pope, the EJKs, pag-impose ng high taxes, paghalik sa OFW in South Korea, anti-tambay directive, and his attacks on God and the Christian faith. Every duterte supporter has threshold that depends on his level of fanaticism. Some, as early as nung minura si Pope, humiwalay na. But the most na bawas na suporta sa kanya is with his anti-God statements. Those who are still with him by this time would probably not leave him until sila mismo ang mabiktima.
Also this:
TrillanesSonny: Duterte remaining as president is the most alarming issue. He is killing our people; mismanaging the economy; messing-up our foreign policy; destroying the moral fabric of our society; and he is destroying our democratic institutions.
8. On Boracay
The Boracay closure is totally unnecessary. The problems caused by the illegally-placed sewage lines can be fixed even without closing the island. Until now, the government has yet to present a comprehensive rehabilitation plan which showed their incompetence and unpreparedness for this abrupt closure. More importantly, this is totally unfair to the thousands of displaced workers in the island. Personally, I believe this is another classic duterte shakedown so his business interests are pursued and protected. Aside from the casinos, there are reports right now that duterte's davao group are land grabbing in boracay in the guise of demolition for having questionable ownership documents. This is similar to what he did to Ongpin's philweb and the mining sector

Other stuff

  • Case against Mocha is still pending with the Ombudsman. sThinking Penoy will be arraigned on August 15. Less than one month na lang, TP...
  • His sense of duty motivates himo to go to work, maski ang sakitsakit na....
  • He thinks Bong Go will run for senate despite his denials. And sadly, there is nothing we could do to get rid of his tarps and campaign materials. Pinagtawanan din nila si Bong Go nung hinamon siya magsaksakan ng ballpen.
  • He would still be an active member of the AFP if the Oakwood mutiny did not happen.
  • Regarding the Province of China tarps: "It's clearly a prank by some sectors opposing duterte's foreign policy as regards China. But I'm surprised by the negative reaction of the duterte admin about it when in fact it was duterte himself who said this on national tv."
  • On personal safety: "Thank you for your concern. No can really be safe nowadays but we do our best to provide for my physical security."
  • The people he trusts in government: VP Leni Robredo, Minority Senators Drilon, Pangilinan, Aquino, Hontiveros and De Lima, Sen. Grace Poe. Some of them ay nakilala ko on a personal level, some of them ay consistent at aligned doon sa mga ipinaglalaban ko.
  • He thinks that public support for Duterte has waned. "I don't normally read troll comments so I'm not that affected. But, we use the negative comments from legit netizens as a gauge for the social media pulse. And with this, I can actually say that Duterte's support in social media has waned drastically the past few months."
  • On why he sees himself as a fatalist: "There was this series of life-changing incidents that happened to me when I was 18 years old and a graduating student in DLSU. It made me believe in the primacy of God's will."
  • Corruption in the AFP has significantly decreased since 2003. However, lately, we have been getting complaints from AFP officers about corruption involving the modernization funds of AFP.
  • On the Lumad issue: I'll ask my staff to check on this. I am against the militarization of the Lumads in the same vein that i am against their infiltration by the NPAs. The Lumads should be allowed to live without any external influence.
  • On the Bonifacio Day ouster rumor (throow12: Few days before the Manila Pen, I heard of a rumor that a GMA ouster was brewing up and it will happen in Bonifacio day, a few weeks after your "walk-out" in court, I heard that your actions supposedly pre-empted that ouster. Do you have previous knowledge of that supposed Bonifacio day action and one of your primary reasons for the walkout?): That's not true. May mga nafa-fundraising lang na gagalaw kuno pero hindi naman. Kilala ko yung mga nagpe-peddle ng information na ganyan.
submitted by merdionesmondragon to Philippines [link] [comments]

A post mortem of Britney Jean, 5 years later


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“I can't believe this is my eighth studio album and I know I keep telling you that it is my most personal record yet, but its true and I'm really proud of that”
This quote from The Legendary Miss Britney Spears would most likely haunt her for the rest of the career, especially because it came in the eve of the release of her infamous 2013 album Britney Jean, whose title anticipated a rare introspective look into a star with over a decade on the spotlight (most of the times for the wrong reasons)… also, it came right after her previous album, 2011’s Femme Fatale, became her first full-length effort without any songwriting input from the Princess of Pop, although a Japanese bonus track features a co-writing credit from her.
Of course Britney Jean deserves most of the criticism it receives and yet, it also deserves way more than just being outright ignored even by most of Britney’s diehard fans: Britney Jean is more than just Work Bitch and 13 b-sides, is more than Brit’s most dated-on-arrival release… Britney Jean is a case study of what was pop in its time, what changed and why it stopped being as popular as it once was….

POP BEFORE BRITNEY JEAN

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Early 00s pop music was being left aside by the general public during the heydays of gangsta rap, Timbaland/Pharrell-infused R&B and rock/nu-metal… at least until around the period between 2007 and 2009, the start of the Golden Era for popheads: The anthemic choruses, the prominent synths, the light and care-free nature of the lyrics, everything was there to pump you up and make you dance… however everything would change in 2013, when streaming was finally introduced to the Billboard formula. After the satirical K-pop track Gangnam Style by Psy took the world by storm, it was noticed how in the United States the song was blocked from the top spot by the inconsequential One More Night by Maroon 5, even if Style had the lead in sales for most of the 12 weeks it stayed at the Top 10 (as you might have guessed, radio had something to do with that), pushing Billboard to update their methodology and add streaming to the mix.
The first song that benefited from the change in the tracking methodology would prophetize what would come next for the charts in general: Harlem Shake, a nearly-instrumental meme song debuted at the top spot and stayed there for 6 weeks total. Another novelty song, Ylvis’ The Fox (What Does The Fox Say?) would visit the Top 10 later in the year based on virality alone.
Although rap, indie music and more traditional pop music found their way during this year, the presence of outliers like Lorde’s Royals, genre-defying tracks like Avicii’s Wake Me Up! (a country/folk tinted EDM anthem) and Florida Georgia Lane’s Cruise (considered the grandfather of the bro-country genre, made popular on pop radio thanks to a tackled-on rap feature by Nelly), and the aforementioned viral hits not only showed that general audiences were craving something new, but their success would pave the way for a big change in pop music.

BRITNEY BEFORE BRITNEY JEAN

"Sometimes you don't need to use words to go through what you need to go through, sometimes it's an emotion you need to feel when you dance, that you need to touch. And the only thing that can touch it is when you move a certain way."
Britney Spears on the For The Record documentary, one of the rare glimpses she gave us on her life before Britney Jean
Britney, of course, was partially a pioneer and a tail-rider of the maximalistic electro sound of the era, as proven by the influence and cult following of what most people consider her magnum opus, or at least her more direct and honest album, 2007’s Blackout, which is ironic considering that Britney only has two writing credits in the whole project and how even The Unstoppable Danja called it ‘impersonal’.
After Blackout, Britney would continue to ride the same sonic palette with her follow-up, 2008’s Circus and then move onto Femme Fatale, which, in spite of its “forward-thinking” nature (as described by the label-appointed producer and current persona non grata Dr. Luke) and slick production, it was heavily criticized for its anonymity and lack of input of the singer in the record, which led to Britney to defend herself stating, rightfully, that she had nothing to prove.

THE MAKING OF A PERSONAL ALBUM

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The mastermind behind Britney Jean was none other than hitmaker will.i.am, whose involvement on the record came as a surprise to no one given how they have collaborated twice at that point and get along really well (you can read more about it in this post I made a couple of months ago), however, the Black Eyed Peas frontman doesn’t deserves all of the credit for the record as Britney herself decided that she would be more involved and had a pivotal role into the making of this record.
Although the early stages of the album pointed towards a more hip-hop release, will.i.am’s involvement and her chemistry with Britney put her forward into the recording and making of the album.
Realizing that she wanted a more straightforward release that wasn’t as bouncy and genre-hopping as her predecessors, Britney searched with will.i.am a series of collaborators that could help her bring her ideas to life, as she didn’t wanted to sing impersonal songs that her team just happened to receive; this, unfortunately, ruled out the involvement of the Saint Patron of pop production Max Martin, although it relegated Dr. Luke to a sole bonus track so that’s a win in my book. Britney Jean is her only release in which she’s credited as a co-writer in each track, including bonus tracks… her closest before that was In The Zone in which 9 of the 14 (including bonus) tracks sported a Britney co-write.

THE PERKS OF BEING A PERSONAL ALBUM

I have been through a lot in the past few years and it has really inspired me to dig deeper and write songs that I think everyone can relate to […] I want to show you the different sides of Britney Spears.
I am a performer.
I am a Mom.
I am funny.
I am your friend!
I am Britney Jean.
Britney Jean Spears
Britney has never been the kind of performer that would pour her soul into her lyrics, and even have occasionally distanced her private life from her lyrics (she famously rejected the Timberlake-bashing Sweet Dreams My LA Ex, later given to ex-S Club 7 member Rachel Stevens as her debut single), although in the few glimpses we have gotten from her real persona (the stunning Everytime and the dubious My Baby for example) have always leaved her fans with the idea of her getting more involved with the subject matter of the tracks… I mean, the exploration of fame in tracks like Circus and Piece of Me are great, but what about explorations of who is Britney?
Britney Jean is her first album released in her 30s, and after finally deciding to get this involved in the songwriting department 15 years into her singing career was no fluke: chalk it up to coincidence, to the fact that it was long due given her background (Britney had lived A LOT of unwanted stuff during her career, married twice, had two kids, survived the most public mental breakdown unimaginable and more while being one of the most successful female performers currently working… also, that year she had ended her engagement with her manager Jason Trawick) or to misogyny (if you wanna go there) but female singers seems to go personal and/or mature in their 30s, with some popular examples including Madonna’s Like A Prayer (described by her as being "about my mother, my father, and bonds with my family"), Mariah Carey’s post-divorce genre-bender Butterfly (if her birth year is believed to be 1969), Beyoncé’s whole post-Matthew Knowles era (4 was released three months before she turned 30), Nicki Minaj’s back-to-my-roots release The Pinkprint and Katy Perry’s purposeful woke pop release Witness (Katy, I love you but 💀) among others.
Another thing to consider is that doing “personal” songs have always being interpreted as tracks with stripped-away or piano-driven arrangement, something that Britney, who had sung about being on the club or having sex (or even both on the same track) so many times it kinda become her trademark, is not something she’s might get allowed to do, especially when the current-at-the-time pop scene and Britney’s then-current sound were a far cry from the kind of sound these “confessional” tell-all songs normally have.

#BritneyPleaseSavePopMusic

(this was a real hashtag that was worldwide trending topic on Twitter in September 2013)
With the anticipation of what a Britney-fied personal record would sound like, anticipation was in an all-time high among fans… so it was natural that her most introspective record would be anchored with an EDM song called Work Bitch. In Britney’s defense, will.i.am pointed out almost immediately how the braggadocio track didn’t represented the album but it was rather about Britney Spears herself.
Promoted with what was heavily rumored to be a 6.5-million-dollars budgeted video which was supposedly heavily sanitized from its originally sexed-up original version (more on that later), the video itself represented most of the promotion the whole album received, as the album’s second and final single (Perfume) was left to rot in negligence after the album’s release.
Outside of a couple of TV appearances (not performances, just interviews), including one to promote her then-upcoming “2-year” Las Vegas residency Britney Spears: Piece of Me, and an E! documentary about the making-of the album and said residency, no actual promotion took place for Britney Jean, which led to the inevitable.

BRITNEY UNLEASHES HER MOST “PERSONAL” ALBUM

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Britney Jean was unleashed to the world on December 3rd of 2013, one day after the Princess’ birthday, and was a big commercial disappointment, debuting at number 4 on Billboard with sales of 107,000 copies (a little bit more than a third of the sales of Femme Fatale), even lower than those of her debut album …Baby One More Time; 3 years after its release, BJ had sold less in the United States than FF in its opening week, although it was eventually certified Gold by the RIAA… this February. Internationally, the release didn’t fare any better and debuted at record-low positions for her releases in most international markets, including missing the Top 30 in the UK.
As most of you already know, reviews we’re nasty all around, the worst of Britney’s career. Because of the somewhat mean content of some of those reviews, I would instead resume what are the biggest perks critics had with the release:

SING A SONG OF SIXPENCE, MISS BRITNEY SPEARS

After one of the songs leaked ahead of the album’s release, there were accusations that backing vocalist Myah Marie (who had appeared on Brit’s previous two albums) was the lead singer not only on said leaked track but also in a large portion of the album (this is what she sounds like), accusations that Marie herself denied as well as Britney’s reps.
Her representatives claimed that Marie wasn’t involved in neither Perfume nor Passenger, the tracks that were the source of most of the controversy, and ultimately she wasn’t credited in none of those songs, although she’s credited as a (not background) vocalist in several of the other tracks of the album (mostly the Preston-produced songs as Work Bitch, Tik Tik Boom, Til It's Gone, Chillin' With You and Now That I Found You), including Alien (in which she’s not credited), who had a vocal steam leak in 2014 which showcases how uncanny is Myah’s impression of Britney is. A credited background singer is Sia in her co-composed single Perfume, which was the source of a weird misstep when Britney was caught lip-syncing to a version of the song with Sia’s vocals forefront in the mix.
A lot has been said about how Britney’s signature singing ‘baby’ voice is not her real one, how do they compare and how much damage has done to Brit’s current vocal chops, and even though she can still sing wherever she wants to, it’s quite obvious that she’s not that comfortable with it and, as such, she prefers to enhance her voice with the use of technology and some studio trickery… also, she might have gotten used to it considering how effortless and vivid were her earlier performances… here’s I’m A Slave 4 U at the 2001 VMAs just because how iconic it is.

BRITNEY JEAN… BY BRITNEY JEAN SPEARS

"People can take everything away from you, but they can never take away your truth.
The question is: Can you handle mine?"
Britney Spears in a song that’s not from this album and not originally from her
Described by critics as “a concept album about the loneliness of pop life”, Britney Jean actually open with quite a promise with Alien, a mid-tempo, melancholic, airy, ethereal dance pop opener that works as a more teenage-sounding version of Ray of Light, which is not surprising considering the involvement of said album’s mastermind (the aforementioned William Orbit) and that sonically picks-up where FF closer Criminal left off, but lyrically is quite different, as it portrays Britney having an intimate and personal realization that she, after years of tumultuous and erratic events, has lost grip of who she was and how she felt like an extraterrestrial in her own world; however she realizes that she’s not longer alone as she looks at the glow in the stars as a light to guide her home away from her insecurities of the past, and to feel safe and finally finding comfort in her true skin, as the chorus repeats the catchphrase ‘not alone’ “until it is pitchshifted up like a departing space ship
Originally intended to include Gaga in the song (and also supposed to be released as a single, which unfortunately didn’t happened), Alien was considered the conceptual and musical highlight of the project by critics, and is easily the most personal, vulnerable and my personal highlight of the project… which made everything that came afterward a hard pill to swallow. Before that, I can’t help to mention THE GLITCH (2:14 in the song), which was apparently, as everything wrong with music of the period, will.i.am’s fault.
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Work Bitch (alternatively known in censored form as Work Work, or in the explicit version as Bitch Bitch) is a hard hitting EDM smasher and heavy mood-whiplash, which was definitely not co-written by Sebastian Ingrosso, in which Britney gently asks us (over a basic club beat which grows more overloaded as the song moves forward) is we want a hot body, an European luxury car (either a Bugatti, a Maserati or a Lambo skirrt skirrt skirrt) or to sip martinis while partying in a big mansion in France, only to disappoint us by calling us bitches and telling us to better work as if we were supermodels and she was RuPaul.
WB is, if you wanna practice some mental gymnastics, more ‘personal’ than its given credit for, as Britney details how much benefits she gets from hustling all these years, and inviting us to dance with that smashing wall-of-sound-laden beat that drowns most of the track. Way more forward-thinking and exciting that everything that comes after it, WB has become somewhat of a new classic for the Princess of Pop, and is pretty much deserved of said designation.
Perfume, co-written by Sia, is another album highlight (actually Britney’s favorite from the album) and one of the finest ballads of Brit’s late-catalogue. Written about her ex-fiancé Jason Trawick, the song deals with Britney’s insecurity about a current relationship, with Britney singing with some of her strongest vocals in years about how she believes that her partner is cheating on her and how she puts on her perfume in order to mark her territory. Released with a tie-in with her perfume Fantasy, the song kinda flopped worldwide and halted all of the promotion of the album, however it still remains (alongside the rawer Dreaming Mix, included as a bonus track) as one of the most interesting songs in 2010s Britney catalogue.
The music video, directed by known troll and middling talented videomaker Joseph Khan, has an unreleased director’s cut in which the straightforward concept of a cheating partner is changed to that of Britney playing the Angelina Jolie role in a gone-wrong version of Mr. and Mrs. Smith sans the boyfriend who is also an assassin.
It Should Be Easy finds Britney’s voice drown in both the auto-tune setting used by Kanye for the Runaway coda and the vocals of guest-star will.i.am in the chorus, all while produceco-writer David Guetta rehashes Swedish House Mafia (which originally broke up the same year in which BJ was released). The song, about Britney imagining a bright-normal-future with a man who had stolen her heart, stating that love “shouldn't be complicated”. Although I like this song, and her team obviously likes it to as it commissioned remixes to be serviced to clubs, it signals when things start to go somewhat downhill.
Tik Tik Boom, the T.I.-assisted fifth track, was always dubbed as a potential third single (remixes were commissioned but nothing official ever came up), and it’s not hard to see why: as one of her rare collaborations with a rapper, the static-y, dance-floor ready production presents Britney teasing a male partner with a night of… well… tik tik boom… that means sex, doing so while serving some circa-2001 sexy vocals as T.I. raps about treating her like an animal up to the point that PETA (which hates Britney) should be called in response. It’s fast, it’s straightforward and yet, it’s kinda forgettable and also very disappointing coming from or Princess Urbanney.
Guetta comes back with Body Ache, another outdated EDM bop in which Brit (accompanied by vocoder and several dozens of vocal distortion treatments) sings about the kind of ‘I wanna dance so hard it gonna turn you on’ anthem which Miss Spears can do on her sleep, with a backtrack that sounds straight out of the EDM will.i.am was doing with the Peas during the Beginning/E.N.D. era. Also it ends in a somewhat anticlimactic way.
Personal Britney makes a return with this track that wouldn’t be too out of place in FF: The Guetta co-written Til It’s Gone, in which Brit realizes that, after losing the love of her life (Trawick), her life would never be the same, or how “you never know what you got 'til it's gone”. Coming some two years to late sonically, in terms of lyrics the track it’s another story, as some interesting imagery pops here and there and it’s nice to leave the dance floor behind, especially when talking about a woman who (at least in the previous albums) rarely shut up about them.
Katy Perry arrives on the record but not as a feature, but as a writer, in the Diplo-produced, Sia-co-written and Prism outtake Passenger, in which some interesting EDM beats moves out of the way after the opening (they come back, don’t worry) to reveal a refreshing and very welcome electropop rock song with some great Britney vocals about letting someone to guide her after she’s willing to let herself be his ‘passenger’. Great lyrics, daring production, good vocal performance… it’s not hard to see why critics loved this track so much, and it’s a shame it gets buried among so much underwhelming stuff.
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Chillin’ with You, the album’s most infamous moment, finds Britney dueting with her sister, ex-Nickelodeon star and attempted country singer Zoey Meredith Brooks, about hanging out together and drinking wine (Brit likes red, Chase Matthews' ex likes white wine) while, as the southern white suburban moms they are, they feel they have nothing else to worry about. Although the lyrics are… well… cute, and the subject matter is decidedly novel by Britney’s standards, the mixture of country and EDM doesn’t mash as well as the producers might had expected… also, the fact that their vocals were so obviously recorded in different sessions (as showed by the kind of chemistry you only see in cheesy 70s movies starring John Travolta and Lily Tomlin) makes the whole ordeal so surreal.
The album closer in the standard edition is Don’t Cry, a FUCK YOU MR. TRAWICK song in which Britney reassures his man that it’s not worthy to cry as their relationship was always directed to end no matter what they do, and how she’s gonna go to not see him all tear eyed. The bouncy but subdued dubstep back track by pop goblin and producer will.i.am enhances what is arguably Britney’s best vocals in the whole album and some really nice lyrics which still doesn’t work as an album closer.
Sia comes back in the first bonus track of the deluxe edition, Brightest Morning Star, and she brings with her current pop Pariah (that would be Dr. Luke, but he’s only in this track) to the mix, on a track about God (or maybe about her kids, according to Dr. Puke), or at least one that implies to be one; in Sia’s words: ‘Britney was extremely sweet. She came in with the title ‘Brightest Morning Star’ and told me that’s how Jesus found his way. She wanted to write a kind of gospel song that wasn’t ramming it down your throat’. Despite the good intentions, BGS is no Jesus Walks and it gets short in the musical department, with a surprisingly weak instrumental which doesn’t do any good service to the song.
Britney continues her religious quest with Hold on Tight, a mid-tempo ballad that in which Miss Spears details how God comes into her dreams (or it might be an Incubus?) showing her the path to righteousness, even when the road is not as friendly with her, and… to be honest, this is my least favorite song on the album, it’s just so forgettable even if it’s quite refreshing in the context of BJ.
To end the evening, Britney continues her unintentional audition to become a gospel singer with Now That I Found You, a shameless EDM track (with early-10s euphoric drop and everything) about how incomplete she was until she found Him (to be honest, this could also be another love song, but after two bonus tracks about God it’s easy to see where she was pointing towards with the vague lyrics) and how everything is better now. Unlike the forgettable predecessors, NTIFY is fun (dated? Sure… but also fun), it’s bright, it’s colorful, it’s happy, and one of my favorite songs on the record… even if co-writer Guetta basically ripped off his own hit Without You from 3 years before.

u/radiofan15’s UNWANTED OPINION ABOUT BRITNEY JEAN

Britney Jean is not an autobiography, it’s not a tell-all gossip-venting machine, it’s a clean, overproduced product of misdirection and lack of focus… and yet it’s actually fascinating in several ways: it’s arguably the greatest resume you would find of how pop music sounded in between 2008 and 2013, it’s a great bridge between the impersonal heavily-polished Femme Fatale and the serviceable and engaging Glory, which saw Britney leading the way on how everything would sound from the start.
It’s quite ironic how the album’s naming (taking a cue from Janet Jackson’s Damita Jo, her actual middle name) plays against it, as self-titled releases (unless they are debut albums) are associated with being in control of your output or reinventions (pop examples includes Paramore as their first release as a trio, Beyoncé to fit the minimalistic sounds and Janet Jackson’s janet. to showcase independence from the Jackson family) and unless you’re Led Zeppelin, Peter Gabriel or Weezer, the idea of having a second eponymous release usually means that audiences should expect to experience the performer in a never-seen before way. 2001’s Britney was the album that give a meaning to the phrase “I’m not that innocent” spurred in her previous effort, with lyrics talking about womanhood and sexuality being complemented with R&B vibes and rock/hip-hop elements. Britney Jean, when compared to Femme Fatale, is way behind the difference between Britney and Oops!... I Did It Again, which in retrospective is even worse as the relative freshness and reinvention of Glory leaves the ‘openness’ and ‘variety’ of BJ in shambles.
One of the album’s biggest mistakes is in its sequencing: the first three tracks are the obvious highlights, the next three are basically DOA EDM songs, the next four are the most “adventurous” musically speaking and the bonus tracks are all about God. Taking out some of the ‘pure club’ anthems could theoretically create an album more deserving of its ‘personal’ label, going full Spinal Tap and amp up the production values to do something crazier might have given us something that was at least digestible in a single listening.
The album, as it is, is not perfect, but it’s far from the dumpster fire more people called it, including some of the most interesting Britney songwriting in years (or even her career) and some tracks that are already started to show signs of cult classic. The only positive thing most people seems to agree with is how short it is: with the alternative mix of Perfume included, BJ is ‘only’ 50 minutes long (the standard edition is just 36 minutes long), which is something most performers (even today) seems to struggle with.
Also, she didn’t came to play games with the art cover and aesthetics this era, the album cover and the booklet is her most gorgeous to date, with the former having her most flattering front picture of any of her albums and the neon typography creating a very pleasing contrast with her elegant black-and-white imagery (in the deluxe edition) or the elegantly, milky pastel coloring of the standard edition.

THERE CAN BE 100 LISTENERS IN THE ROOM AND 99 LEAVE BUT ONE... - BRITNEY JEAN THE DAY IT DEBUTED

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Britney and her team gave up quite easily on Britney Jean and, honestly, they shouldn’t be blamed: the offer to have a Vegas Residency with a salary of $15 million dollars per year seems like the kind of offer a pop star and mother of two with enough money already for several timelines would accept, with the album itself being more of an afterthought.
Britney was originally slated to remain on the Planet Hollywood Resort & Casino for two years but ultimately extended her run for another two years, before finally touring overseas (without an album attached to the performances) during 2017 and 2018.
Because of the lack of promotion, Britney Jean underperformed when compared to Miss Spears’ previous releases, with estimated worldwide sales (as of April 2018) being close to 1.3 million copies, less than a third of Femme Fatale’s sales.
Truth be told, BJ flopped hard… HOWEVER, not everything would have turned out that terrible (not even in a million years it would have sold as much a FF but at least the downfall could have been smaller) with some actual promotion and interest from Brit herself.

SOME REACHING… I MEAN… THE SIGNIFICANCE OF BRITNEY JEAN

BJ is, in my opinion, a compilation of the era, the resume of “in the previous episode of” that you get on serialized TV shows, a farewell to the bombastic era of synth-heavy EDM club anthems with gratuitous drops and interchangeable lyrics. During the genre’s opus, some performers tried to bend this sound (and their equivalents) to their benefit, either mixing it with their style or playing with the boundaries of the sound: it could be a Taylor Swift doing a We Are Never Getting Back Together to get a broad crossover hit, a Lady Gaga mixing multiple genres to create a sonically complex pastiche called Born This Way, or even straight-up jumping almost seamlessly from rap/R&B to club bangers like Nicki Minaj did in Roman Reloaded. Britney in Britney Jean did almost the opposite of that.
Britney Jean is, in some ways, a time capsule of the era in its rawest and purest form (some might differ and replace those buzzwords with generic and bland), with the average user being able to trace mostly any track to a style, influence, sub-genre or even performer. Listening to BJ is like watching a 70s movie in VHS in an old, square TV, basically an unintentional period piece that reflects the volatile, bombastic and extravagant style of those golden years of 2008-2013, which, within the mindset of Britney Jean sounds kinda tired and bland, surprising no one when that branch of pop went back into obscurity and irrelevance almost as fast as grunge music did when Kurt Cobain died.
Britney Jean came up in a time of transition of popular music, with streaming showing the kind of power it had on the charts and more subdued, minimalistic music taking the world by storm. Popular music, as you might already noticed, evolved into a slower, more melodic, calculated, numb, almost anticlimatic entity which was more fitting with our current social and political climate. To paraphrase Todd in the Shadows: 2013 had a hit literally called Happy and 2018 had both a hit called SAD! and another called Happier with a video about a dog that dies.
In terms of Britneyology (both the study of Britney Spears and the religion dedicated to her persona), BJ is also a glimpse into Britney the full-fledged artist. Britney has never been the kind of performer that gets heavily involved into her music, with Britney’s role being generally limited to the choice of songs, sequencing, development of sounds and themes with her assigned team of writers and producers, and performing of course; sometimes Britney gets involved into the heavier portions of her music (the classic Everytime is a great example of it) but most of the time she remains quite anonymous, with her voice and choice being overwritten by the men on charge, something that became quite apparent during and after the Dark Ages (2004-2008) with the cancelling of the legendary Original Doll, her lack of songwriting credits in both Blackout and Circus, and her much-criticized anonymity in Femme Fatale.
BJ was Britney deciding who does want to work with, what does she wants to sing and even how to equilibrate her musical and visual persona. Britney has always being in control of how is she portrayed on official media, most famously rejecting an animated concept for the video of …Baby One More Time in favor of a Lolita-inspired take on catholic school girls, and then the slow process from jailbait to grownup woman. During the post-production of the Work Bitch video, she clashed with director Ben Mor over the kind of content the video should show, as she was a mother in her 30s now instead of an unreachable male gaze fantasy.
With BJ, the Legendary Miss Britney Spears showed us how much she has changed since that controversial 2003/2004 period (the last time she was that involved with an album) in which she received the Kiss of Death from Madonna, suffered her infamous accident and, of course, married twice in a calendar year. This new Britney was a much-different person, and her voice deserved to be heard, and even if the results weren’t the greatest, it was a step into the right director for Britney to get what she always wanted: being a full-fledged artist capable of taking her own decisions and learning from her mistakes.

POP AFTER BRITNEY JEAN

https://preview.redd.it/382f3hucce221.png?width=1500&format=png&auto=webp&s=b270179e2de3c085b7dd38ea838588f2f45d9e4b
Coincidentally in 2014 most of the ambassadors of the dominant pop sound of the early 10s were either taking a musical break, flopping or changing lanes, so that year paved the way for the transition of what do we define as popular music, with the winners of the evolution race being trap (Fetty Wap’s Trap Queen), meme music from awful people (Bobby Shmurda’s Hot Nathans) or untalented losers (T-Wayne’s Nasty Freestyle, Silentó’s Watch Me), trop pop (OMI’s Cheerleader, Justin Bieber’s entire Purpose era) or whatever outlier track dared to pass through those filters.
What happened afterwards is a horror story most of popheads tells in fire camps a la Are You Afraid of the Dark?

BRITNEY AFTER BRITNEY JEAN

Glory , the follow-up Britney Jean, received very positives reviews and was considered a strong return-to-form for Britney, and even if it wasn’t as successful as her label might have wanted, the truth is that, at the end of the day, whatever Britney decides to do next (and considering the direction she seems to be taking) it can be as underwhelming as Britney Jean.

https://preview.redd.it/t7rph8g4ce221.png?width=500&format=png&auto=webp&s=0b8d0a459f5caed0d41c087c7658cce2e79f2210
submitted by radiofan15 to popheads [link] [comments]

The OSL Possibilities List...with Notes!

So I combed through the list looking at tour schedules for everybody and marking down when they were playing in the greater Bay Area and what their other tour dates were around OSL. All of that is listed below, but doesn't include musical artists that were suggested by other users but were not playing any of the other tracked festivals.
While the official prediction game is over, feel free to make further predictions in this thread, armed with the tour knowledge listed.
Possibilities:
Headliners:
Adele (no upcoming dates, rumored that she'll never tour again)
Billy Joel (no dates between August 8th in Denver and August 26th in Baltimore)
Bjork (no dates after May 6th-June 1st multimedia show residency in NY)
Bruce Springsteen (no upcoming dates and stated on Twitter that there would be no 2019 tour)
Cher (no dates between May 30th in Vancouver and August 21st in Vegas that is part of her Vegas residency)
Childish Gambino (no dates after June 14th in Tennessee)
Coldplay (no upcoming dates)
Daft Punk (no upcoming dates)
Depeche Mode (no dates after March 29th in Spain)
Diana Ross (no dates after July 22nd in Colorado, has Vegas residency in June)
Drake (no dates after April 26th in the Netherlands, no U.S. dates)
Eagles (no dates after July 8th in Ireland, no U.S. dates)
Eminem (no upcoming dates)
Eric Clapton (no dates after June 10th in Germany, no U.S. dates)
Foo Fighters (no dates between June 29th in Sweden and August 13th in Hungary)
Frank Ocean (no upcoming dates)
Green Day (no upcoming dates)
Guns N Roses (no upcoming dates)
Gwen Stefani (only Vegas residency dates with break between July 26th and October 11th)
Jay-Z (no dates other than Woodstock 50 weekend after OSL)
Kanye West (no upcoming dates)
Kendrick Lamar (no dates after April 7th in Chile, no U.S. dates)
Kids See Ghosts (no upcoming dates, but tour rumored)
Lady Gaga (only Vegas residency dates with break between June 15th and October 17th)
Madonna (no upcoming dates)
Maroon 5 (no dates between June 11th in France and August 31st in Curacao, no U.S. dates)
Miley Cyrus (no dates between June 30th in UK and August 16th at Woodstock 50)
Missy Elliott (no dates after July 5th in New Orleans)
Nicki Minaj (no dates after June 21st in L.A.)
Pearl Jam (no dates between July 6th in UK and September 28th in Dana Point, CA)
Phish (no dates between July 14th in Wisconsin and August 30th in Colorado)
Red Hot Chili Peppers (no dates before August 16th in Japan)
Robert Plant (no dates after July 2nd in Norway, no U.S dates)
Rod Stewart (no dates between July 13th in UK and Vegas residency beginning September 18th)
Roger Waters (no upcoming shows)
Sting (no dates between August 1st in France and August 23rd in Illinois)
The Strokes (no dates between July 21st in France and September 27th in Dana Point, CA)
Tool (no dates after July 2nd in Portugal)
Travis Scott (no dates after July 13th in Switzerland)
Twenty One Pilots (no dates between July 21st in France and August 13th in Hungary)
U2 (no upcoming shows and Bono said cryptic message at last 2018 show that they were "going away now")
7 Tracked Festivals:
King Princess (plays Fillmore April 22, no dates listed past July 28th in Detroit)
4 Tracked Festivals:
Chelsea Cutler (plays Fillmore March 22, no dates listed past April 3rd)
Clairo (plays Pitchfork in Chicago July 21st then Reading UK festival August 23rd)
Denzel Curry (plays Bill Graham Civic opening for Billie Eilish on May 29th, plays Seattle on July 19th then August 16th in Netherlands)
Easy Life (no dates after August 3rd in UK)
Playboi Carti (no dates after June 1st in NY)
Sheck Wes (playing in Montreal on August 9th or 10th)
3 Tracked Festivals
070 Shake (no dates after June 2nd in Spain)
The Band Camino (plays July 14th in Kentucky then September 7th in Tennessee)
Bazzi (no dates after June 2nd in NY)
Bob Moses (plays July 13th in Portugal then August 17th in Utah)
Brockhampton (plays July 14th in Netherlands then August 17th in Japan)
Caamp (no dates after August 2nd in Portland)
Dennis Lloyd (plays Great American Music Hall on April 11th, no dates after June 30th in Switzerland)
Gucci Mane (no dates after June 23rd in Delaware)
Hippo Campus (no dates after August 2nd in Iowa)
Hop Along (plays The Independent on April 18-19, no dates after July 12 in Kentucky)
Hozier (no dates after April 14th in Spokane)
Kacey Musgraves (plays August 2nd in Iowa then August 24th in Paso Robles, CA)
Ravyn Lenae (no dates after June 2nd in NY)
Shame (plays The New Parish in Oakland on April 23rd, no dates after July 14th in Finland)
Taylor Bennett (no dates after June 2nd in NY)
Two Feet (no dates after June 23rd in Delaware)
Unknown Mortal Orchestra (plays the Greek Theatre on April 19th, no dates past July 26th in Japan)
Walk the Moon (no dates past June 23rd in Delaware)
2 Tracked Festivals:
Alison Wonderland (plays July 21st in Paris then August 15th in Austria)
Blood Orange (no dates after June 3rd in Maryland)
Calpurnia (no dates after July 14th in Kentucky
Castlecomer (no dates after June 21st in Delaware)
Cautious Clay (no dates after June 15th in Norway)
Crooked Colours (no dates after July 21st in Washington)
Diplo (plays August 1st in Minnesota then August 23rd in Netherlands)
Ella Mai (plays The Fox in Oakland on April 23rd, no dates after May 22nd in Tennessee)
Evan Giia (no dates after July 19th in Washington)
Flora Cash (plays August Hall in SF on May 22nd as opening act, no dates after June 21st in Michigan)
Flipp Dinero (no dates after June 21st in Delaware)
Gesaffelstein (no dates after June 2nd in NY)
Gorgon City (plays the Regency Ballroom on April 17th, no dates after July 27th in UK)
Gunna (plays the Fillmore on April 7th as opening act, no dates after July 15th in Croatia
The Interrupters (plays the Regency Ballroom on March 14th, no dates after June 30th in Spain)
J.I.D. (no shows after July 28th in Michigan)
Jpegmafia (plays the Warfield on March 28th as opening act, no dates after July 21st in Chicago)
Judah and the Lion (plays July 26th in Germany, August 10th in Missouri, and August 13th in Colorado)
Khalid (plays July 6th in Canada then September 7th in Germany)
Kid Cudi (no dates after May 10th in Miami)
Kygo (no dates after July 9th in Canada)
Lauren Daigle (plays July 31st in Michigan then August 10th in Portland and August 11th in Vancouver)
Let's Eat Grandma (plays the Chapel on April 18th, plays August 8th in Italy then August 29th in UK)
Lil Mosey (no dates after May 24th in Vegas)
Lil Wayne (no dates after June 21st in Los Angeles)
The Lumineers (play July 29th in Denmark then September 21st in New Jersey)
Mansionair (no dates after June 27th in MIchigan)
Medasin (play July 19 in Washington then September 12th in Colorado)
Mura Masa (play June 9th in UK then August 22nd in UK)
Nghtmre (no dates after July 21st in Germany)
Nora en Pure (no dates after July 14th in Germany)
The Nude Party (play the Great American Music Hall on April 25th, no dates after May 10th in UK)
The Record Company (play the Ace of Spades in Sacramento on June 5th, play July 14th in Massachusetts then August 17th in Montana)
Ric Wilson (no dates after July 21st in Chicago)
Ripe (play July 14th in Massachusetts then September 21st in New Jersey)
Rubblebucket (play the Cornerstone in Berkeley on March 28th, no dates after June 22nd in Delaware)
Sales (no dates after April 27 at August Hall in SF)
Shaed (play March 15th at Rickshaw Stop in SF, no dates after June 29th in Denver)
Snakehips (no dates after July 14th in NY)
Soccer Mommy (plays the Great American Music Hall on April 17th and 18th and Bill Graham Civic as opener on October 1st, play July 21st in Chicago then September 25th in Canada)
Still Woozy (play the Catalyst in Santa Cruz, no dates after July 21st in Washington)
Sunflower Bean (play July 26-28 in UK then August 11th in Toronto)
Tank and the Bangas (no dates after June 22nd in Delaware)
Tobi Lou (no dates after June 2nd in NY)
Tyla Yaweh (no dates after June 14th in Tennessee)
Tyler the Creator (no dates after June 21st in Delaware)
U.S. Girls (no dates after July 14th in Canada)
Wallows (play the Fillmore on April 26th and 27th, no dates after July 28th in Detroit)
Yellow Days (play July 27th in Michigan then August 14-17 in Portugal)
Zhu (play Shambhala Music Fest in British Columbia same weekend as OSL)
1 Tracked Festival:
10K.Caash (no dates after May 12 in Florida)
12th Planet (play March 16th at Regency Ballroom, no dates after March 30th in Arizona)
21 Savage (no dates after May 4th in Kansas)
3lau (play March 15th at Pure Nightclub in Sunnyvale, no dates after June 23rd in Delaware)
4B (play March 30th at Bill Graham Civic as opener, no dates after July 21st in Germany)
88Glam (no dates after April 21st at Coachella)
A Boogie Wit Da Hoodie (play April 4th at The Fillmore, no dates after April 11th in Massachusetts)
Aaron Aye (no dates after May 31st in NY)
Adia Victoria (no dates between May 26th in Massachusetts and September 21st in Tennessee)
Agoria (play Dreambeach Festival in Spain August 7th to 11th, but unclear what day he may be playing on)
All Them Witches (no dates after June 22nd in Switzerland)
Amber Mark (no dates after July 19th in Chicago)
Ame (no dates after July 21st in Spain)
Andrew McMahon (play March 21st at Fox in Oakland, no dates after June 22 in Delaware)
Anna Lunoe (no shows after July 19th in Indonesia)
Anoushka Shankar (no shows after June 14th in Tennessee)
Aphex Twin (no shows between April 21st at Coachella and August 25th in Paris)
Arkells (play March 27th at Cornerstone in Berkeley, no dates after July 27th in UK)
The Artisanals (no dates after July 14th in Kentucky)
Asian Doll (no dates after May 12th in Miami)
Awolnation (no dates after June 23rd in Delaware)
BabyG (no dates after May 11th in Miami)
Baby Goth (no dates after May 12th in Miami)
Bakar (no dates after May 4th in UK)
Bassnectar (no dates after July 20th in Pennsylvania)
Bblasian (no dates after July 13th in Kentucky)
Beach Fossils (no dates after May 3rd in Arizona)
Beach House (playing Bellwether Festival in Ohio on August 9th or 10th)
Beau Young Prince (play March 22nd at The Warfield as opener, no dates after March 23rd in Hollywood)
Bebe Rexha (no dates after May 19th in Alabama)
Bendigo Fletcher (no dates after July 14th in Kentucky)
Big Baby Scumbag (no dates after May 10th in Miami)
Big Red Machine (no dates after June 2nd in Spain)
Big Wild (no dates after July 21st in Washington)
Blaatina (no dates after May 12th in Miami)
Blac Youngsta (no dates after May 24th in Maryland)
BlackPink (no dates between May 28th in Spain and August 16th in Japan)
Blond:ish (no dates after July 7th in Belgium)
Bloodpop (no dates after June 23rd in Delaware)
Blueface (play March 19th at Warfield as Opener and June 28th at Ace of Spades in Sacramento, no dates after that)
Boa (no dates after April 20th in Indiana)
Bombino (play March 27th at the Independent, no dates after June 23rd at San Luis Obispo)
Bones (no dates after May 11th in Miami)
Boy Pablo (no dates between July 10th in Norway and August 12th in France)
Brianna Perry (no dates after May 10th in Miami)
Bruno Mali (no dates after May 12th in Miami)
Bryce Vine (no dates after 19th in Alabama)
Buddy (play March 23rd at Harlow's in Sacramento, no dates after July 13th in UK)
Bumpin Uglies (play April 27th at Bottom of the Hill in SF, play Freakstomp Festival in Ohio same weekend as OSL, but not sure which day)
Burna Boy (play April 17th at Slim's, no dates after August 4th in Portugal)
Calypso Rose (no dates after July 13th in Slovakia)
CamelPhat (no dates between July 5th in Croatia and August 22nd in UK)
Car Seat Headrest (no dates between July 3rd in Nebraska and August 11th in L.A. as opener)
Carly Johnson (no dates after July 14th in Kentucky)
Caroline Rose (no dates between August 9th in Ohio and August 15th in Colorado)
Catfish and the Bottlemen (play March 23rd at Fox in Oakland, no dates between August 3rd in Ireland and August 12th in Hungary)
Charli XCX (no dates between July 21st in Chicago and August 22nd in UK)
Charlotte Gainsbourg (play April 15th at The Regency, no dates after July 26th in France)
Cherry Glazerr (no dates after July 14th in Tennessee)
Chief Keef (no dates after May 8th in North Carolina)
Chief Pound (no dates after May 10th in Miami)
Chon (no dates after May 4th in Georgia)
Chris Lake (no dates after May 17th in North Carolina)
CID (no dates after August 3rd in Calgary, Canada)
Cirez D (no dates after April 21st at Coachella)
City Girls (play March 19th at the Warfield as opener, no dates after July 14th in NY)
City Morgue (no dates after May 10th in Miami)
CloZee (no dates between August 3rd in Colorado and August 13th in Italy)
Coca Vango (no dates after May 12th in Miami)
Coi Leray (no dates after May 12th in Miami)
Cola Boyy (play April 18th at Rickshaw Stop in SF between Coachella weekends, no dates after June 27th in Michigan)
Comethazine (no dates between May 11th in Miami and August 23rd in UK)
Craig Brown Band (no dates after July 28th in Michigan)
CVBZ (no dates after June 27th in Michigan)
D Savage (no dates after May 12th in Miami)
DaniLeigh (no dates after July 14th in NY)
Danny Towers (no dates after May 10th in Miami)
Dashboard Confessional (no dates after June 23rd in Delaware)
Dave P (no dates after April 19th at Coachella)
Deafheaven (play March 16th at UC Theater in Berkeley, no dates between June 14th in Tennessee and August 17th in Vegas)
Deal Casino (play March 25th at Cornerstone in Berkeley, no dates after May 31st in NY)
Death Cab for Cutie (no dates between July 27th in Japan and August 11th in L.A.)
Deep Dish (no dates after May 25th in Greece)
Dessa (play May 24th at Bottlerock, no dates after June 1st in Vegas)
Deva Mahal (no dates between June 22nd in NY and August 25th in Virginia)
Dillon Francis (no dates after April 21st at Coachella)
DJ Mel (no dates after June 16th in Tennessee)
DMX (play April 21st at UC Theater in Berkeley, no dates after July 27th in Long Beach)
Dombresky (play March 22nd at 1015 Folsom in SF, no dates after June 16th in Tennessee)
Donna Missal (play March 26th at The Independent in SF, no dates after June 13th in Tennessee)
The Doozers (no dates after July 28th in Michigan)
Dorfex Bos (no dates after June 30th in Michigan)
Dr. Fresch (no dates after June 30th in Michigan)
Dragondeer (no dates after June 30th in Michigan)
Ducky (no dates after June 14th in Tennessee)
Dusky (play April 13th at The Great Northern in SF, no dates after June 25th in Albania)
dvsn (no dates after April 19th at Coachella)
Ekali (no dates between July 20th in Pennsylvania and September 12th in Colorado)
Elley Duhe (no dates after May 26th at Bottlerock)
Emily King (no dates after May 5th in NY)
Emo Nite (play March 30th at Rickshaw Stop in SF, no dates after July 26th in NY)
Eprom (no dates after July 18th in Montreal)
Eric Biddines (no dates after May 12th in Miami)
Erin Rae (no dates between July 14th in Kentucky and September 27th in SoCal)
Evan Giia (no dates after July 19th in Washington)
Faye Webster (play April 5th at Cafe du Nord in SF, no dates after June 16th in Tennessee)
Fendi P (no dates after May 12th in Miami)
First Aid Kit (no dates after July 14th in Kentucky)
FKJ (play April 10th-11th at The Warfield, no dates between July 12th in UK and August 16th in UK)
Freddie Gibbs (play May 5th at Brick & Mortar in SF, no dates after July 21st in Chicago)
The Frights (no dates after May 24th at the Catalyst in Santa Cruz)
G Herbo (no dates after May 12th in Miami)
The Garden (no dates after April 20th at Coachella)
GASHI ( no dates after July 9th in Canada)
Gat$ (no dates after May 12 in Miami)
Gojira (play July 26th at Shoreline as opener), no dates between August 8th in Nebraska and August 11th in Illinois)
Goldlink (no dates after May 10th in Miami)
Go$h (no dates after May 12th in Miami)
Goth Babe (no dates after July 28th in Michigan)
Gramatik (no dates between August 3rd in Washington and September 7th in Germany)
Grandson (play April 3rd at Slim's, no dates after May 19th in Alabama)
Great Good Fine OK (no dates after June 1st in Ohio)
Greta Van Fleet (no dates between July 13th in Spain and September 3rd in Australia)
Grizfolk (play March 21st at Fox in Oakland as opener, no dates after March 24th in San Diego)
Grlwood (no dates after July 12th in Kentucky)
Grownboitrap (no dates after May 10th in Miami)
Guapdad 4000 (no dates after May 11th in Miami)
Gucci Gang (no dates after April 21st at Coachella)
Gus Dapperton (no dates after August 1st in Austria)
Guster (no dates after May 26th in Boston)
Guy Gerber (no dates after July 13th in UK)
Half Alive (no dates between June 21st in Delaware and September 13th in L.A.)
Heidi Lawden (no dates after August 3rd in UK)
Hekler (no dates after July 9th in Ontario)
H.E.R. (no dates after July 13th in UK)
Highly Suspect (no dates after July 12th in Kentucky)
The Him (no dates between May 19th in Alabama and August 17th in Austria)
Hippie Sabotage (no dates after June 19th in Colorado)
Hot Since 82 (no dates between May 27th in Michigan and August 17th in UK)
Hundredth (no dates after June 29th in Netherlands)
Hurray For the Riff Raff (no dates after April 27th in New Orleans)
HYUKOH (no dates after July 14th in UK)
Ibeyi (no dates after July 26th in France)
Ice Billion Berg (no dates after May 11th in Miami)
Iceage (play April 23rd at the New Parish, no dates after May 7th in Chicago
Idris Elba (no dates after April 20th at Coachella)
Iglooghost (no dates after May 31st in Spain)
Ilovemakonnen (no dates after May 11th in Miami)
Indigochildrick (no dates after May 12th in Miami)
Israel Nash (no dates between July 13th in Kentucky and August 24th in New Hampshire)
J Balvin (no dates between July 23rd in Spain and August 16th in Mexico)
Jade Bird (play June 8th at Greek Theater as opener, no dates between August 4th in Iowa and August 23rd in UK)
Jade Cicada (no dates after June 14th in Tennessee)
Jaden Smith (no dates after April 28th in Virginia)
Jambinai (no dates after June 8th in Portugal)
Jan Blomqvist (no dates after July 13th in Germany)
Javiera Mena (no dates after May 17th in Spain)
Jauz (no dates between August 5th in Toronto and August 10th in Vegas and August 11th in Phoenix)
Jaydayoungan (no dates after May 11th in Miami)
Jeremy Zucker (no dates between June 1st in Cincinnati and August 22nd in UK)
Jesse Royal (no dates after May 26th in Monterey)
Jim James (no dates after July 7th in Quincy, CA)
Jonas Blue (no dates between July 21st in France and August 24th in UK)
Jony J (no dates after May 10th in Miami)
Joywave (no dates after June 22nd in Delaware)
Jukebox the Ghost (no dates after June 2nd in Ohio)
Justin Jay (no dates after May 19th in Alabama)
Kash Doll (no dates after May 11th in Miami)
Kevin Gates (no dates after July 31st in Virginia)
The Kid Laroi (no dates after May 11th in Miami)
Kid Quill (no dates after June 30th in Michigan)
Kid Trunks (no dates after May 31st in Belgium)
Killumantii (no dates after May 11th in Miami)
Killy (no dates after July 11th in Netherlands)
Kilo Kish (play March 23rd at Regency Ballroom, no dates after May 26th in Boston)
King Henry (no dates after June 23rd in Delaware)
KirbLaGoop (no dates after May 11th in Miami)
The Knocks (no dates after June 29th in Denver)
Knower (no dates after June 27th in Michigan)
Kodak Black (play March 23rd at The Warfield, no dates after May 11th in Miami)
Kolsch (no dates between July 14th in Belgium and August 17th in Netherlands)
Lancey Foux (no dates after May 12th in Miami)
Las Cafeteras (no dates after August 3rd in L.A.)
Las Robertas (no dates after April 19th at Coachella)
Lauren Lane (no dates after April 19th at Coachella)
Lee Burridge (no dates after June 8th in Netherlands)
Leebrian (no dates after May 11th in Miami)
Leikeli47 (play April 16th at the New Parish in Oakland, no dates after July 11th in Ottawa)
Lettuce (play March 21-24 at SF Jazz Center, play Telluride Jazz Fest in Colorado on August 9th, 10th ,or 11th)
Lightskinkeisha (no shows after May 11th in Miami)
Lil Baby (play March 18 at Fox in Oakland and March 19 at Warfield, no dates between July 14th in NY and August 22nd in UK)
Lil Berete (no dates after May 18th in Montreal)
Lil Dicky (no dates after June 16th in Tennessee)
Lil Duke (no dates after May 11th in Miami)
Lil Durk (no dates after May 10th in Miami)
Lil Gotit (no dates after May 10th in Miami)
Lil Keed (play April 7th at Fillmore as opener, no dates after May 16th in Atlanta)
Lil Pump (play April 26th at Warfield, play August 9th or 10th in Montreal)
Lil Skies (play April 26th at Warfield, no dates after July 7th in UK)
Lil Tjay (no dates after May 10th in Miami)
Lil Uzi Vert (no dates between July 20th in Spain and August 22nd in UK)
Lil Yachty (no dates after July 6th in Vancouver)
Lily Allen (no dates after June 16th in UK)
Liquid Stranger (play March 15th at Slim's, no dates after June 13th in Tennessee)
Lolo Zouai (play May 14th at Rickshaw Stop in SF, no dates after July 14th in NY)
The Lonely Island (no dates after June 29th in Minnesota)
Los Tucanes de Tijuana (no dates after June 13th in Mexico)
Lostboycrow (no dates after June 23rd in Delaware)
Loud Luxury (no dates between August 2nd in Vegas and August 22nd in UK)
Lucius (play April 25th at Great American Music Hall and September 21st & 22nd at Greek as opener, no dates between August 4th in Oregon and Greek gigs)
Lykke Li (no dates after July 13th in UK)
Madeintyo (no dates after July 13 in Germany)
Magic City Hippies (play May 25th at Bottlerock, no dates after July 28th in Pennsylvania)
Magic Giant (no dates between June 23rd in Delaware and September 26th in Mendocino)
The Main Squeeze (no dates after August 3rd in Colorado)
Maliibu MItch (no dates after May 10th in Miami)
Manu Crooks (no dates after May 11th in Miami)
Maren Morris (play March 26th at The Masonic, no dates between August 8th in Canada and August 16th in New Zealand)
The Marias (no dates after July 13th in Kentucky)
Matt Ox (no dates after May 12th in Miami)
MAX (no dates after June 22nd in Delaware)
Megan Thee Stallion (no dates after May 12th in Miami)
Melii (no dates after May 12th in Miami)
MEMBA (no dates after August 4th in Colorado)
Members Only (no dates after May 31st in Belgium)
Men I Trust (no dates after July 21st in Michigan)
Mersiv (no dates after July 18th in Pennsylvania)
The Messenger Birds (no dates after July 27th in Detroit)
The Messthetics (play April 22nd at The Chapel in SF, no dates after June 26th in Vancouver)
Migos (no dates after July 21st in France)
Miles Kane (no dates between July 28th in UK and August 30th in Ireland)
MKUltra (no dates after June 2nd in NY)
MO (no dates after July 21st in UK)
Mo Lowda and the Humble (play August 9th, 10th,and 17th in Colorado)
Monsieur Perine (no dates after June 14th in Tennessee)
Moon Boots (no dates after June 23rd in Albania)
Moon Taxi (no dates between July 20th in Maine and September 7th in Tennessee)
Morgxn (no dates after July 27th in Houston)
Mr Eazi (play April 21st at the Regency Ballroom, no dates between June 30th in the Netherlands and November 13th in UK)
Mt. Joy (play March 30th at the Fillmore, no dates between April 7th in San Diego and September 27th in Dana Point, CA)
Mulatto (no dates after May 10th in Miami)
Naeem (no dates after May 24th in Boston)
Nahko and Medicine for the People (play May 26th in Monterey, no dates between August 6th in Montana and August 25th in Virginia)
Naked Giants (play May 24th at The Catalyst in Santa Cruz, no dates after July 13th in the Netherlands)
NAS (no dates after July 14th in Virginia)
Nate Dae (no dates after May 11th in Miami)
Nessly (no dates after May 24th in Georgia)
Nic Fanciulli (no dates after July 7th in Italy)
NIcole Moudaber (play April 6th at The Midway in SF, plays August 9th or 10th in Montreal)
Njomza (no dates after May 31st in NY)
Nocturnal Sunshine (no dates after April 21st at Coachella)
Nombe (no dates after June 23rd in Delaware)
Ocho Ojos (no dates after April 21st at Coachella and October 10th at Joshua Tree)
Ookay (play August 10th in Vegas, not playing anywhere August 9th or 11th)
The Orphan The Poet (no dates after June 23rd in Delaware)
Otown Marco (no dates after May 11th in Miami)
Pardison Fontaine (no dates after May 12th in Miami)
Parquet Courts (no dates between July 21st in Chicago and August 29th in UK)
Party Pupils (play March 28th at 1015 Folsom in SF, no dates after July 6th in Hollywood)
Patrice Baumel (play August 9th, 10th, or 11th at We Can Dance festival in Belgium)
Peach Pit (no dates after July 21st in Washington)
Penny & Sparrow (play June 28th at the Fox Theater in Oakland as opener, no dates between July 14th in Kentucky and September 7th in Tennessee)
Perfume (play April 17th at Civic in San Jose, no dates after April 21st at Coachella)
Phosphorescent (no dates between June 22nd in Delaware and September 21st in Tennessee)
Phresher (no dates after May 10th in Miami)
PJ Morton (no dates after July 13th in Kentucky)
PLS&TY (no dates after June 27th in Michigan)
PNB Rock (no dates after May 10th in Miami)
Polo and Pan (no dates between June 28th in France and August 24th in France)
Polo G (no dates after May 11th in Miami)
Princess Nokia (no dates between July 13th in Spain and September 7th in Germany)
Pusha T (no dates after July 21st in Chicago)
Quando Rondo (no dates after May 12th in Miami)
Queen Key (no dates after May 12th in Miami)
Rackz God (no dates after May 11th in Miami)
Rae Sremmurd (no dates after July 19th in Indonesia)
Rakeem Miles (no dates after July 22nd in Delaware)
Rat Boy (no dates after July 28th in UK)
Razorbumps (no dates after April 21st at Coachella)
The Red Clay Strays (no dates after May 17th in Alabama)
The Red Pears (no dates after April 20th at Coachella)
Rich the Kid (play March 30th at the Warfield, no dates after July 13th in Germany)
Richy Samo (no dates after May 12th in Miami)
Rick Ross (no dates after May 10th in Miami)
Rico Nasty (no dates after June 2nd in Spain)
Rival Sons (play May 7th at The Fillmore, no dates after August 1st in Norway)
RL Grime (no dates after July 19th in Seattle)
Rob Markman (no dates after May 11th in Miami)
Robb Banks (no dates after May 12th in Miami)
Rod Wave (no dates after May 10th in Miami)
Rosalia (no dates after July 11th in Spain)
Ross From Friends (play April 21st at The Independent in SF, no dates after July 21st in Germany)
Ruen Brothers (no dates after July 14th in Kentucky)
Ruston Kelly (no dates between August 4th in Iowa and November 11th in Dominican Replublic)
SAINt JHN (no dates between July 13th in Germany and August 22nd in UK)
Saweetie (no dates after July 26th in Nebraska)
serpentwithfeet (no dates between April 21st at Coachella and August 29th in UK)
Shallou (play April 26th at The Catalyst in Santa Cruz, no dates after July 21st in Seattle)
Shlump (play March 16th at the Regency Ballroom, no dates after August 4th in Calgary)
Shoreline Mafia (no dates after May 24th in Albuquerque)
Sidney Gish (no dates after June 14th in UK)
Siena Liggins (no dates after July 27th in Detroit)
Sir (no dates after April 21st at Coachella)
Ski Mask the Slump God (play April 30th at Bill Graham Civic, no dates after July 7th in UK)
Slenderbodies (no dates after May 19th in Houston)
Smino (play April 9th at the Fillmore and April 14th at the Regency Ballroom, no dates after May 9 in Boston)
SNBRN (play March 23rd at August Hall in SF, no dates after June 30 in Michigan)
Social House (play May 2nd at SAP Center as opener and May 3rd at Golden One Center as opener, no dates after July 13th in Utah)
SoDown (no dates after August 2nd in Washington)
Soja (play June 19th at Mountain Winery in Saratoga as opener, no dates after July 21st in North Carolina)
Sophie (no dates after June 8th in Portugal)
Soulja Boy (no dates after June 25th in Chicago)
Soulection (no dates after May 13th in Bakersfield)
Space Jam the Pilot (no dates after May 11th in Miami)
Space Jesus (play April 5th at the UC Theater in Berkeley, no dates after July 22nd in Montreal)
Spaceghostpurrp (no dates after May 11th in Miami)
Spazz Cardigan (no dates after July 12th in Kentucky)
Spencer Ludwig (no dates after June 28th in NY)
Splash Zanotti (no dates after May 10th in Miami)
Splurge (no dates after May 12th in Miami)
Steady Holiday (no dates after April 20th at Coachella)
$uicideboy$ (no dates after July 21st in France)
Sunsquabi (no dates after August 2nd in Colorado)
Suzi Wu (no dates after June 1st in NY)
Sweater Beats (no dates after June 21st in Delaware)
Sylvan Lacue (no dates after May 11th in Miami)
SZA (no dates after June 2nd in NY)
Tale of Us (play April 19th at 1015 Folsom club in SF, no dates between July 14th in Belgium and August 17th in the Netherlands)
Tara Brooks (no dates after April 21st at Coachella)
Tee Grizzley (no dates after May 12th in Miami)
ThouxanbanFauni (play March 29th at the Complex in Oakland, no dates after May 12th in Miami)
Thumpasaurus (no dates after June 27th in Michigan)
Tierra Whack (no dates after June 27th in Michigan)
Tiny Moving Parts (no dates after June 28th in Michigan)
Tokimonsta (no dates after July 18th in UK)
Tokyo Jetz (no dates after May 10th in Miami)
Tomasa Del Real (no dates after April 21st at Coachella)
Trampled by Turtles (play August 10th in Washington, not playing August 9th or 11th anywhere)
Trippee Redd (no dates after July 13th in Germany)
Tund3 (no dates after May 10th in Miami)
Turnover (play April 23rd at the Regency Ballroom, no dates after June 1st in Japan)
Two Friends (no dates after June 15th in Washington)
T.Y. (no dates after May 12th in Miami)
Ty Dolla $ign (no dates after June 1st in NY)
Ty Segall (no dates after April 21st at Coachella)
Tyga (no dates after July 12th in Germany)
Tyler Childers (no dates between August 4th in Oregon and August 24th in the Netherlands)
Unotheactivist (no dates after May 11th in Miami)
Valee (no dates after July 19th in Chicago)
Vince Staples (play March 29th at Fox Theater in Oakland, no dates after July 7th in Ireland)
VHS Collection (no dates after June 23rd in Delaware)
Virgil Abloh (no dates after June 29th in Vegas)
The Voidz (no dates after July 13th in Spain)
Waax (no dates after July 19th in Seattle)
Waka Flocka Flame (no dates after May 18th in Montreal)
Walker & Royce (no dates after June 15th in Washington)
Warhol.ss (play March 29th at The Complex in Oakland, no dates after May 11th in Miami)
Whipped Cream (play August 9th or 10th in Montreal)
White Reaper (no dates between June 29th in Kentucky and August 23rd in UK)
Wifisfuneral (no dates after May 11th in Miami)
Wiz Khalifa (no dates after May 12th in Miami)
The Wood Brothers (no dates between August 3rd in Iowa and August 16th in Montana)
X Ambassadors (no dates after July 6th in Canada)
Yaeji (no dates after July 13th in Spain)
YBN Cordae (no dates after May 26th in Minnesota)
YBS Skola (no dates after May 11th in Miami)
Yella Beezy (no dates after May 11th in Miami)
YNW Melly (no dates after May 11th in Miami)
Yoke Lore (play Bottlerock in May, no dates after June 22nd in Delaware)
Young Fathers (no dates after May 26th in Boston)
Young M.A. (no dates after May 10th in Miami)
Young Nudy (no dates after May 23rd in L.A.)
Young Thug (no dates after July 7th in France)
Youngboy Never Broke Again (no dates after May 12th in Miami)
Yung Baby Tate (play April 14-15th at the Catalyst in Santa Cruz as opener, no dates after May 11th in Miami)
Yung Bae (play April 17th at SJSU Events Center, no dates after August 2nd in Washington)
Yung Bans (no dates after May 12th in Miami)
Yung Bleu (no dates after May 10th in Miami)
Yung Simmie (no dates after May 12th in Miami)
Yungeen Ace (no dates after May 11th in Miami)
Ziggy Alberts (no dates after July 11th in Montreal)
Zoey Dollaz (no dates after May 10th in Miami)
submitted by amwoods13 to OutsideLands [link] [comments]

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